Очерки истории селадонов

Author(s): Evgeniia I. Gelman / Language(s): Russian Publication Year: 0

The article deals with the history of the origin and the main stages of development of celadon what is one of the most remarkable inventions of mankind in the field of ceramic production. The path to the highest heyday of this sort of high-firing ceramics took about 2000 years. Kilns and workshops for their production functioned in North and South China, as well as in the Korean Peninsula. Special raw materials became a necessary condition for their appearance, and potter’s craftsmanship, experience and technical thought turned them into real masterpieces in the 8th—13th c.Ceramic wares with green glaze were spreading along the trade routes to the countries of East and South-East Asia, through Central Asia and the Middle East reached Africa during the Middle Ages. New archaeological discoveries in different regions of Eurasia are constantly expanding the geography of their distribution. After the discovery of celadons in Europe in the 17th c. interest in the technology of their production is constantly growing, and research methods are being improved.

Proroczy aspekt awangardy

Author(s): Bożena Tokarz / Language(s): Polish Publication Year: 0

The art and poetry of the historical avant-garde contains prophetic elements referring to the later artistic development, which are not subject to a simple continuation but rather continuation via degradation. They result from the two prevalent tendencies at that time: from aesthetic aristocratism in the midst modern civilization’s equalizing tendencies and from seizure of non-art areas, rejection of tradition and reaching for sources; as well as from the perceived blemishes in the image of monolithic perfection. The post-avant-garde work rejected the ideology of the historical avant-garde believing in the role of the artist in the world, in unity, in aesthetic, social and technological utopias, by undertaking the following artistic activities: destruction in construction, language relativism, momentary artistic creation, emotionality against anti-emotionality, hybrid forms, anti-aestheticism, diffusion of arts, the focalization and multinterpretability of the world. The works of Srečko Kosovel and Julian Przyboś have in a different way initiated changes in the post-avant-garde poetry, using some of the mentioned strategies for expressing a different worldview.

«Мои глаза ласкают твой портрет». Несколько штрихов к образу исследователя Светланы Рябцевой

Author(s): Roman A. Rabinovich,Nicolai P. Telnov / Language(s): Russian Publication Year: 0

obituary

Авторите на трите оригинални български ерминии Дичо Зограф, Захарий Петрович и Върбан Коларов като наставници във вярата и учители по родолюбие

Author(s): Mariyana Shabarkova-Petrova / Language(s): Bulgarian Publication Year: 0

The study is based on the personal observations and archive of the author from a twenty-year study of the Bulgarian frescoes and of the author's research as a compiler and publisher of the three original Bulgarian Hermeneias by Dicho Zograf, Zachari Petrovich and Varban Kolarov (Sofia, 2016, 2017, 2017). All three Hermeneias quoted, but especially those of Zachariy Petrovich, testify to the enviable iconostasis of the icon-painters. They have documented their in-depth knowledge not only of traditional local dyes but also of West European dyes and technologies, as well as of a Table of Symbols of the German Alchemist and Doctor Johann Joachim Becker, 1689, symbols whose names we meet in the Hermeneia of Zachari Petrovich. The following aspects of the subject are considered, supported by quotes by Didron, Uspensky, Dicho Zograf, Zachari Petrovich and Varban Kolarov:Guardians of the secret book of the icon - the Bulgarian monks in Mount Athos, Saints-icon-painters and icon-painters-saints, The specifics of the Holy Craft, Herminists as mentors in the faith, Herminists as patriotic teachers.

Nie naga, lecz nosząca „suknię na sukni”. Metafora prawdy u Johanna Georga Hamanna

Author(s): Anna Żymełka-Pietrzak / Language(s): Polish Publication Year: 0

The author presents a detailed analysis and interpretation of the truth metaphor (appearing in Johann Georg Hamann's letter to Immanuel Kant of July 27, 1759), in which the truth is presented as a woman in layers dresses, and after tearing them off, it turns out to be a ghost. This metaphor remains considered emblematic and interpreted in the theological and ethical context Hamann's model of truth. God's truth is made available to man in communication an act of self-lowering, a specific type of which is embodied. Is it is available to man through its specific historical manifestations, the most important of which is the God-man himself. The truth incarnation is fine terrestrial is realized in man through the creative activities of the author who it imitates God's kenotic action in relation to his own thoughts. Yes the conceived author's activity is also a service to the truth.

Bezcenna nieużyteczna. Ekonomie i prawdy poezji

Author(s): Marta Baron-Milian / Language(s): Polish Publication Year: 0

The author attempts to epistemological approach to the status of poetry from a perspective questions asked by the economics of literature. He lists selected theories poetry - Jochen Hörisch, Wiktor B. Szkłowski, Jean Baudrillard and Franco Berardi - which can be considered specific "economies of poetry" due to their proposed description of the properties of the poetic medium in an economic perspective. For each of them, poetry is defined as uneconomical and useless, which at the same time - paradoxically - becomes a condition for its existence as a linguistic breaking are acirculation of signs, a point of resistance to conventionalized communication and the automation of perception, and thus - a medium offering a specific knowledge of reality.

Prawda i fałsz lustra. Podmiotowość – odzwierciedlenie – praktyka

Author(s): Paweł Tomczok / Language(s): Polish Publication Year: 0

The author discusses the mirror as an important figure in philosophy, literature and the world everyday life, practice. It presents three basic meanings of the mirrorin various discourses. The first part of the text is devoted to the figures of subjectivity, the second - reflected in science and art, and the last - practical use and understanding of the title category.

Figura niezaangażowanego badacza. Prawda i prawdopodobieństwo w badaniu myśli religijnej

Author(s): Michał Rogalski / Language(s): Polish Publication Year: 0

The author deals with the attitude of the historian of ideas to the subject of his research, especially if they are in the form of an intellectual dispute or controversy. Presented the text contains a critical analysis of the possibility of objective occupation, non-valued attitude towards the subject of one's own research. Based on Aristotle's analyzes of rhetoric, the author shows that the presentation of the test results in writing involves an attachment to their positions and giving them a place and meaning in the context of the argument, which is equivalent to the evaluation operation. The empirical context of considerations is an autoanalytical case study: own research on modernism Catholic in Poland. On their basis, the author indicates another source of the impossibility objectivism hidden in the hermeneutic method of research. Gadamer's postulate of writing history again and again with consideration changing context leads to a strong emphasis in the study the world view of the researcher himself.

Marańskie matactwa Hanny Arendt a prawda jej kryptoteologii

Author(s): Rafał Zawisza / Language(s): Polish Publication Year: 0

The text is a reading of Hanna Arendt's Human Condition in terms of concept natality, showing the relationship between this book from 1958 and the previous one decades of the author's doctorate. The keystone here is the thought of Augustine of Hippo,whose subject matter Arendt translates into a modern language, striving for the ultimate overcoming the gnosis that stems from both Christianity and from modern times. The era of nihilism as modern gnosis degrades life to the biological process that Arendt contrasts with the "divinity of birth", or rather the latent sacredness of spontaneity. However, the operation was overcomegnosis is revealed only in a patient study full of nuances author's language. The hypothesis that Arendt works on concepts as "philosophical maranka”, allows the explanation of the statement that her secular anthropology is cryptotheology.

Prawda i fałsz w narracjach: teoria dialogowego Ja w psychoterapii

Author(s): Piotr Kałowski / Language(s): Polish Publication Year: 0

Postmodernism negates the universality of values, thus emphasizing the role political power in creating truth. This creates a challenge for psychotherapy, in which the customer's perspective should be both recognized and inscribed into the theoretical framework of a given modality. In this chapter, the author undertakes reflections on the concepts of truth and falsehood in psychotherapy, presenting the theory of the dialogic self as a psychotherapeutic approach responding to this challenge. Comparing them to the dominant cognitive-behavioral approach, presents examples of practical areas of its application, in particular, problems related to the sense of identity and its continuity and the advantages and limitations of the therapeutic work metaphor as dialogue and narrative.

Prawda i nieprawda w ironii

Author(s): Anna Milanowicz / Language(s): Polish Publication Year: 0

The category of truth in irony should be seen through the prism of what the sender does he thinks and what he wants to achieve with his statement. However, a world of emotions and experiences irony recipients are also not insignificant for the interpretation meanings of non-literal language. The essay presents irony as a form of disguiseand camouflage. The irony oscillates between what is said, but not thinks and what you think but don't say. It balances between apparent truthand apparent untrue. Ironic criticism at the literal level does positive tone, ironic praise, and vice versa - negative. From ethical from the point of view, irony is not virtuous and can be clown. In the final part of the essay, the question arises as to whether irony has gender. The author replieson them, summarizing the conclusions of the research on the differences in methods understanding and use of irony/self-irony by men and women.

Kiedy symulacja pozwala na adekwatne przypisywanie innym stanów mentalnych?

Author(s): Adrianna Smurzyńska / Language(s): Polish Publication Year: 0

The author presents the issues of adopting different perspectives and assigning mental states, with particular emphasis on their criteria adequate ascription. He pays particular attention to taking perspective another person and simulation theory. Uses the results of development research the ability to distinguish between perspectives and research on disorders of this ability in borderline personality disorder. The ability to distinguish one's own and other people's mental states was presented as an element of cognition social enabling adequate mentalization by adopting multiplicity perspectives and recognition of the possible existence of different representations of reality.

Muzyka a prawda. Ilustracyjność w kontekście estetyki muzyki

Author(s): Joanna Barska / Language(s): Polish Publication Year: 0

The author's deliberations concern the issue of Renaissance-Baroque musical rhetoric. The sixteenth century in music is the development of the aesthetics of sound imitation (imitazionedella natura), which stabilizes the relationship between the word and music. The function of representing, inspired, becomes the main aspect of many works the ancient idea of ​​properly combining words, harmony and rhythm. The music was there because in ancient times it was a metaphysical key and an important tool of education, in which a given composition was directly related to specific ones states of the soul, characters and emotions. The text continues this way of thinking in the era of humanism, where not only theorists, but also composers, performers and listeners assign specific figures have specific meanings. The author devotes a lot of space examples of musical use of various rhetorical and musical figures and how they function. He emphasizes, however, that despite the specific the universalization of the musical language is a system of rhetorical-musical figures extremely diverse and subject to individual contextual interpretation.

Prawda w muzyce – czy jest czego szukać? Rozważania w kontekście nurtu wykonawstwa historycznego

Author(s): Karolina Kolinek-Siechowicz / Language(s): Polish Publication Year: 0

The author deals with the problem of truth in music from the point of view of the current performances of historical early music. It looks at the various stages development of this phenomenon, asking questions about how much to strive for authenticity the performance or the approximation to the composer's intentions were the result search for historical truth, and how much truth about contemporaries was in the maesthetic attitudes of musicians and listeners.

Prawda ucieleśniona w muzyce

Author(s): Anna Chęćka-Gotkowicz / Language(s): Polish Publication Year: 0

This voice in the discussion of musical truth shows two ways, which the representatives of contemporary Anglo-Saxon philosophy most often follow analytical. The first one is to search for truth/falsehood in the musical work itself and in its structures, the other is related to truth experience of music, and therefore - with sincerity, authenticity the performance itself (and especially with the performer's fidelity to the text music and with its faithfulness to itself). Finally, it appears a literary example of a debate on musical truth. For an aesthetic, it can be he is a source of reflection on the issues of metacriticism of the performance of a musical work, for the critic - an incentive to verify their own interpretation strategies.

Prawda obrazu, prawda materii. Robert Rauschenberg, Henryk Streng i historia sztuki

Author(s): Piotr Słodkowski / Language(s): Polish Publication Year: 0

Starting from the problem of truth in painting, the author of the text dedicates it methodological reflection on inter-pictorial relations. Starting point for this idea there is a juxtaposition of two radically different artistic events: the erasure made by Rauschenberg in de Kooning's drawing and scratches of signatures in his own paintings by Henryk Stange. Both of these the interventions provoke an analysis of the transition from the intertextual viewing images for research optics, which - on the contrary - enhances material dimension of visual representation.

Polska historia literatury jako miejsce pamięci

Author(s): Maciej Junkiert / Language(s): Polish Publication Year: 0

The author analyzes the origin and specificity of 19th-century Polish historical and literary research. He compares the context of the birth of a new discipline in the partition Poland and in German states. History considered from this perspective literature appears to be an important factor contributing to the emergence of modern nations, and literary historians are presented as key authoritiesin the field of cultural past and present. The author is interested in the similarities and differences resulting, for example, from the fact that history in German states literature was an important academic discipline, while Polish authors they developed it in much more difficult conditions.

Prawda miejsca a prawda ekspozycji – „analiza przypadku” na przykładzie Państwowego Muzeum na Majdanku

Author(s): Jan Kutnik / Language(s): Polish Publication Year: 0

The author takes up the problem of the truthfulness of museum exhibitions they refer to the tragedy of the Second World War. In this aspect, he values ​​the value highly Majdanek, Auschwitz-Birkenau, Stutthoff and other museums created on the grounds of the former German camps. Based on own research conducted in 2016–2019 states that shaping the relationship between the truth of the place and the truth of the exhibition, skilful handling of authenticity and finding new forms of speaking to visitors is enormous a challenge facing exhibitors.

View of the World from Palas Street: The Dynamics of Cultural Memory in Saul Steinberg’s Representation of Interwar Bucharest

Author(s): Mihaela Gligor / Language(s): English Publication Year: 2021

Výtvarné dění těsně po vzniku Československa na území moravského Slovácka

Author(s): Radovan Rybář / Language(s): Czech Publication Year: 0

The Association of Moravian Visual Artists (SVUM) based in Hodonín became one of the most important cultural groupings after the establishment of the independent Czechoslovak state in the first decades of the 20th century. The active association with the idea of Moravianship of the creators emerged from the 1890s around the painter Joža Uprka, who called for the emancipation of Moravian artistic life as an alternative to European modernism. The „Association“ gradually developed into an art institution, using the traditions of Moravian Slovácko and forming an ideological platform of the late Moravian cultural revival.