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Göç Konferansı 2017 Seçilmiş Bildiriler

Author(s): / Language(s): Turkish

With this book, you're going to have to go to the fifth We present a review of the papers presented at the Migration Conference to our readers. 35 articles addressing the issue of migration from various disciplines and perspectives share a wide range of reviews. This paper-book offers a selection of more than 100 sessions, panels and workshops in total, as well as the 400 papers presented at the fifth migration conference in Athens, which lasted four days. Many participants from more than 60 countries, from economics to anthropology, sociology to medicine, working in the field of migration from a wide range of disciplines, migration and security, gender, public administration, repatriation migration, law, political participation, diyaspora, media, as well as migration culture and summer presented a large number of papers on the subject.

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FUGA MUNDI NA PRZYKŁADZIE ŻYWOTA ŚWIĘTEGO IDZIEGO GUILLAUME’A DE BERNEVILLE

Author(s): Joanna Gorecka-Kalita / Language(s): Polish Publication Year: 0

While oriental Christianity valued mostly anchoritic life, the medieval West was more reserved towards it, preferring coenobitic forms. Yet the “Eastern hermit” remained an idealized point of reference in Western hagiography, which often tried to reconcile these two inspirations. The paper investigates the 12th century Life of Saint Giles by Guillaume de Berneville, seeing it as a typical example of such a narrative: its hero flees the world in search of salvation, but after years of solitary life ends up becoming an abbot of a prosperous monastery.

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DUCHOWE POŻYTKI Z PODRÓŻY I DIABELSKIE PUŁAPKI NA DRODZE DO ZBAWIENIA NA PRZYKŁADZIE DWÓCH TEKSTÓW Z XIII W.

Author(s): Agata Sobczyk / Language(s): Polish Publication Year: 0

In two very different thirteenth-century texts, the theme of travel is treated in analogous but seemingly contradictory manner. These texts are: Life of Mary of Egypt, and Saracen Woman, a story from the collection of La vie des pères. The lesson of Life of Mary of Egypt says that it is necessary to go out, and the lesson of the Saracen Woman – that this is dangerous for the salvation of the soul. In fact, the adventure told in the second text is just as salutary as that of the first one: both characters are healed of pride. It seems, therefore, that one should always go out even when it seems it should not be done.

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SCHRONIENIE CZY PUŁAPKA? ROLA PRZESTRZENI ZAMKNIĘTEJ W XIII-WIECZNYCH OPOWIEŚCIACH O KOBIETACH UCIEKAJĄCYCH W MĘSKIM PRZEBRANIU

Author(s): Joanna Augustyniak / Language(s): Polish Publication Year: 0

Women disguised as men usually have access to open space providing them with freedom, which traditionally men take advantage of. Some of the women, though, reach the closed spaces such as grottos or cells of a recluse, which become not only their shelter but also the place of their spiritual improvement. In a secular sphere, though, the closed room becomes a trap for the disguised woman: although she was successful in the battlefield, in the queen’s bedroom she will not be able to fulfill the role of a lover and will be forced to resign from her ambiguous identity.

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ZMYSŁOWOŚĆ WĘDROWCA: POWIEŚĆ OBERMAN SENANCOURA

Author(s): Joanna Ciemińska / Language(s): Polish Publication Year: 0

This study examines the theme of wandering present in the correspondence of the narrator of Étienne de Senancour’s novel Oberman (1804) in connection with sensations which he has while travelling or which he relates to the journey. His attitudes towards wandering are reflected in the way he interprets the sensory input perceived while traversing the space. This research, combining literary analysis with methodological presuppositions of the anthropology of the senses, serves to show the psychological role of the physical effort for the narrator, who perceives his own sensuality as a source of knowledge of both himself and the great nature.

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POLSKA NOWELA MASUCCIA (ZBIÓR NOWEL; IL NOVELLINO, N. 42) WOBEC NARRACJI GALLA ANONIMA: MITYZACJA HISTORII Z WYGNANIEM W TLE

Author(s): Barbara Marczuk / Language(s): Polish Publication Year: 0

Masuccio’s 42nd novella, narrating the story of the cruel “ Polishqueen”, is considered to be completely fictional. In my paper I put forward the thesis that the protagonist of the story is a historical figure: Judyta Maria (1047–1105), the second wife of Prince Władysław Herman. This is evidenced by the fact that Masuccio’s narrative in many points coincides with the version included in the Polish Chronicle of Gallus A nonymus. In both cases, the history of the queen, with exile as a leading motif, is subject to the procedure of mythification. The analysis of this process is based on the methodology proposed in the works of Mircea Eliade.

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Mort de rire : Roland dans sa Chanson

Author(s): Brînduşa Grigoriu / Language(s): French Publication Year: 0

When a sacrificial hero ascends to Heaven in the company of archangels, and yet finds the resources to laugh away the death-sentence launched by his arch-enemy, it is an epic kind of irony, involving divergent instances of narrative encoding. The Song of Roland, in the celebrated version preserved by the Oxford manuscript, proposes a polemic code of wittiness transcending the contemporary paradigms of rhetorical success. Throughout the story, a pacifist kind of relativism irradiates the lances of courtesy and banter, while the spirit of “legerie” (lightness) instills in the protagonists an overwhelming sense of the vanity of human glory and divine imperatives.

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Jacques le Fataliste et son aventure littéraire

Author(s): Cristina Poede / Language(s): French Publication Year: 0

Jacques le Fataliste by Diderot represents an original reply to Laurence Sterne's novel, The Life and Opinions of Tristram Shandy. The author resorts to a multiplicity of points of view, to the narrative solution of the interior stories and of the puzzle, while illustrating his remarks on the abstract game of destiny and free will. Throughout his (anti) novel, Diderot implements new strategies of irony destined to the reader (mechanisms of destabilization and misguidance, narrative leaps, exasperating digressions), to the conventions of the genre (revelation and disqualification of sentimental novel clichés) and to social conventions (criticism of bigotry and fatalism). An ironic pact of reading is thus established; these ingenious procedures of rewriting will seduce the Moderns, from Unamuno to Kundera. In Romanian literature, I.L. Caragiale practiced dialogical writing and the game of narrative virtualities. In the end, the reader has to rethink the literary space and to establish surprising intra-narrative complicities. The legacy of Diderot will include this biting irony of the author who, while attacking literary clichés, cultivates parody, counter-fiction and metadiscourse.

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La dimension holistique de l’ironie chez Maupassant

Author(s): Jean-Yves Michel / Language(s): French Publication Year: 0

In the literary field, the nineteenth century seems to be the ironic century by excellence. Maupassant's work uses irony as a societal and intimate point of view, as much as a technique. It acquires an holistic dimension and is transformed into philosophy. The novel Bel Ami synthesizes his ironic vision.

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Métamorphoses de l’ironie féerique dans la pièce de théâtre Cendrillon de Joël Pommerat

Author(s): Simona LOCIC / Language(s): French Publication Year: 0

During the XXIth century, many writers show an important interest in rewriting the fairy tales. One of them is Joël Pommerat, a French contemporary stage director and playwright who, in 2011, reinvents on stage the very famous fairy tale of Cinderella. The paper below analyses the irony’s metamorphoses, important aspect of the traditional fairy tale’s scheme. Our main inspiration source is the study of Muguraș Constantinescu. She analyses the irony in Charles Perrault fairy tales and describes it as a “playfulness” writing way. Our purpose is to show how and why the irony identified by Muguraș Constantinescu transforms in the contemporary play of Joël Pommerat, Cendrillon. This new irony pick on the contemporary individual and contemporary reality but also the text’s lector.

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Paradoxe ou ironie ? Le développement de l’Orthodoxie dans l’Occident catholique et l’édition des livres de théologie orthodoxe en France

Author(s): Larisa-Elena Alui-Gheorghe / Language(s): French Publication Year: 0

Our paper aims to analyse a more recent and rather paradoxical phenomenon shown in Western Europe i.e. the publication of Christian Orthodox books, written or translated in French from a traditional Orthodox Christian language. And, as an irony, in a profoundly laic and secularized culture, one can notice the development of an Orthodox Christian terminology as a consequence of translating books with Orthodox Christian matter. Another paradoxical aspect for a strongly secularized country that we aim to analyze is the fact that in France there are many important educational establishments and research centres which are representative for the entire Christian Orthodox world: “St. Serge” Orthodox Theological Institute, “St. Genevieve” Centre, “Dumitru Stăniloae” Scientific and Interdisciplinary Research Centre. Is this a paradox or irony of the Providence, of God eliminated from France during the French Revolution?

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Ironie et humour populaire – de la critique sociale à la guerre politique

Author(s): Mariana Anastasiei / Language(s): French Publication Year: 0

Comedy, laughter, is both a presence and a social necessity. Irony, humor, joke, satire, caricature are all forms of manifestation of laugh in art and society. Art of relationing by excellence, comedy supposes, in order to achieve its purpose, an emitter and a receiver equally informed and competent. The purpose of this work is to follow the evolution of this relationship of complicity when the transgression of art frontiers occurs.

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Tudor Arghezi, traducteur de l’ironie de La Fontaine

Author(s): Oana- Gabriela Ichim / Language(s): French Publication Year: 0

Tudor Arghezi is a great poet who chose to put his talent at the service of translation too. He gave the fables of La Fontaine Romanian variants remarkable for the strength of the story and the humor. He considered the rhyme and the rhythm as very important poetic elements and translated the message of the French poet keeping the aesthetic form of the original. The dialogues of the translations are remarkable for their orality, their richness of images and their perfect adequation to the characters created by La Fontaine. He translated each fable as an entire poem and maintained the networks of meaning and images.

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BETON - Kulturno propagandni komplet br. 225, god. XV, Beograd, utorak, 17. novembar 2020.

Author(s): Aleksandra Sekulić,Tanja Ostojić,Danilo Milošev / Language(s): Serbian

MIKSER, Aleksandra Sekulić: Zapisi iz podzemlja – ogledi o tektonici jedne izložbe; Blok br. V, Danilo Milošev Wostok; Wostok/Grabowski; ŠTRAFTA, Grupa za konceptualnu politiku: Hronologije sadašnjosti Silvena Lazarisa; ZID, Tanja Ostojić: Misplaced Woman?

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THE FOUNTAIN AS A BIBLICAL SYMBOL IN THE CHIVALRY NOVEL YVAIN – THE KNIGHT WITH THE LION

Author(s): Nicolae Hurduzeu / Language(s): English Publication Year: 0

Theological works were the prevailing literary works during the early Middle Ages. For western Europe at that time, the Catholic Church was the intellectual center of society and was, by far, the most productive source of literary works. The main purpose of these works was to increase the religious influence of the church on people and to guide the behavior of the audience. Literature was also used as a means of propaganda for the values and deeds of a king or a people, as was the case with the chansons de geste. Many medieval literary works, from the chanson de geste and finishing to the chivalry novel, have a high theological symbolism and many details of the text may be used as a support for various reading methods. The central figure of the chivalry novel emphasized was the knight-errant, bringing forth a new set of virtues, different from the warrior’s heroism and fidelity towards the senior. The knight–errant was always on the quest to punish injustice, help the poor, and serve God and one lady of his heart. Spite all obstacles, the real quest of the knight-errant was spiritual perfection. His journey was full of fictional adventures set in the medieval west. Exile and madness, decay and redemption, as well as a perpetual journey are specific features of mythical characters revived in the medieval characters. The novel Yvain- the Knight with the Lion of Chretien de Troyes is full of biblical symbols. The present article aims to emphasize the biblical symbolism of the fountain, considered the source of new perspectives, of a new destiny, as well as a passage towards a new stage in the life of Yvain.

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Benjamin Fondane – le seuil philosophique et le motif du « juif errant »

Author(s): Ștefana Gabriela Sîrbu / Language(s): French Publication Year: 0

Benjamin Fondane is a Romanian author which at the age of 25 left for France, where he became a renown philosopher and expert in aesthetics. This modification of geographical coordinates had a significant impact on the author: the threshold he has to pass is not only linguistical but also creative. His life there isn’t facile and has to face the French language, which he knew but only by means of reading. Fondane’s meeting with Shestov was an important event in his life in France; it is Shestov who insists that he should read philosophy and also encourages him to write philosophy. It is for this reason that Fondane’s French poetry, his philosophical essays and aesthetic studies bear, to a certain extent, the mark of Shestov. Shestov and Fondane are philosophers of mystery and metaphysical anxiety, of the suffering of the individual and of the dialogue between man and God – if Shestov continues on the path of religious thought, Fondane remains more firmly attached to the Jewish spiritual identity and this fact is quite apparent – all of his philosophical and poetic work confirms it.

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