Ziemia, za którą się ginie, na której się żyje, z której mitów się czerpie. Trzy perspektywy we spółczesnym dramacie hebrajskim
The Land for Which One Dies, on Which One Lives, from Which Myths Are Drawn. Three Perspectives in Contemporary Hebrew Drama

Summary/Abstract: A look at contemporary Hebrew drama from the perspective of three different stages of its development, supported by examples of works from three periods: the so-called the new yishuv and the formation of the State of Israel (Ha-adama ha-zot by Aharon Ashman), the first decades of Israeli statehood (Kazablan by Igal Mosinzon) and the most recent times (Haya o lo haya by Edna Mazya). An attempt to outline the main directions of development of Hebrew drama in terms of the issues raised, with particular emphasis on references to Eretz-Israeli myths and stereotypes, such as the myth of the "new Hebrew" proudly dying for his homeland, ethnic stereotypes within the multicultural Israeli society or the myth of Tel Aviv - "the city of miracles".

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